It is thought that female deities are older than male ones in Mesopotamia mythology. In Sumerian mythology, Nammu (also Namma, spelled ideographically NAMMA = ENGUR), a female principle of a watery creative force, with equally strong connections to the underworld, was a primeval goddess.
She was the Goddess Sea (Engur) that gave birth to An (heaven) and Ki (earth) and the first gods, representing the Apsu, the fresh water ocean that the Sumerians believed lay beneath the earth, the source of life-giving water and fertility in a country with almost no rainfall.
Nammu is the goddess who “has given birth to the great gods”. It is she who has the idea of creating mankind, and she goes to wake up Enki, who is asleep in the Apsu, so that he may set the process going. According to the Neo-Sumerian mythological text Enki and Ninmah, Enki is the son of An and Nammu, who is not well attested in Sumerian mythology. She may have been of greater importance prehistorically, before Enki took over most of her functions.
The Atrahasis-Epos has it that Enlil requested from Nammu the creation of humans. And Nammu told him that with the help of Enki (her son) she can create humans in the image of gods. Reay Tannahill in Sex in History (1980) singled out Nammu as the “only female prime mover” in the cosmogonic myths of antiquity.
Nammu corresponds to Tiamat, a primordial goddess of the ocean, mating with Abzû (the god of fresh water) to produce younger gods, in Babylonian mythology. She is the symbol of the chaos of primordial creation. Depicted as a woman she represents the beauty of the feminine, depicted as the glistening one. Some sources identify her with images of a sea serpent or dragon.
Tiamat was the “shining” personification of salt water who roared and smote in the chaos of original creation. She and Apsu filled the cosmic abyss with the primeval waters. She is “Ummu-Hubur who formed all things”.
It is suggested that there are two parts to the Tiamat mythos, the first in which Tiamat is a creator goddess, through a “Sacred marriage” between salt and fresh water, peacefully creating the cosmos through successive generations. In the second “Chaoskampf” Tiamat is considered the monstrous embodiment of primordial chaos.
The Enûma Elish, the Babylonian epic of creation, is named for its incipit: “When above” the heavens did not yet exist nor the earth below, Apsu the freshwater ocean was there, “the first, the begetter”, and Tiamat, the saltwater sea, “she who bore them all”; they were “mixing their waters”.
In Enûma Elish she gives birth to the first generation of deities; her husband, Apsu, correctly assuming they are planning to kill him and usurp his throne, later makes war upon them and is killed.
The deity Enki (later Ea) believed correctly that Apsu was planning to murder the younger deities, upset with the chaos they created, and so captured him and held him prisoner beneath his temple the E-Abzu. This angered Kingu, their son, who reported the event to Tiamat, whereupon she fashioned eleven monsters to battle the deities in order to avenge Apsu’s death.
Enraged, she, too, wars upon her husband’s murderers, taking on the form of a massive sea dragon, she is then slain by Enki’s son, the storm-god Marduk, but not before she had brought forth the monsters of the Mesopotamian pantheon, including the first dragons, whose bodies she filled with “poison instead of blood”. Marduk then forms heavens and the earth from her divided body.
Tiamat possessed the Tablet of Destinies and in the primordial battle she gave them to Kingu, the deity she had chosen as her lover and the leader of her host, and who was also one of her children. The deities gathered in terror, but Anu, (replaced later, first by Enlil and, in the late version that has survived after the First Dynasty of Babylon, by Marduk, the son of Ea), first extracting a promise that he would be revered as “king of the gods”, overcame her, armed with the arrows of the winds, a net, a club, and an invincible spear.
Slicing Tiamat in half, he made from her ribs the vault of heaven and earth. Her weeping eyes became the source of the Tigris and the Euphrates, her tail became the Milky Way. With the approval of the elder deities, he took from Kingu the Tablet of Destinies, installing himself as the head of the Babylonian pantheon. Kingu was captured and later was slain: his red blood mixed with the red clay of the Earth would make the body of humankind, created to act as the servant of the younger Igigi deities.
The Tiamat myth is one of the earliest recorded versions of the Chaoskampf, the battle between a culture hero and a chthonic or aquatic monster, serpent or dragon. Chaoskampf motifs in other mythologies linked directly or indirectly to the Tiamat myth include the Hittite Illuyanka myth, and in Greek tradition Apollo’s killing of the Python as a necessary action to take over the Delphic Oracle.
The principal theme of the epic is the justified elevation of Marduk to command over all the deities. Robert Graves considered Tiamat’s death by Marduk as evidence for his hypothesis of an ancient shift in power from a matriarchal society to a patriarchy. Grave’s ideas were later developed into the Great Goddess theory by Marija Gimbutas, Merlin Stone and others.
The theory suggests Tiamat and other ancient monster figures were presented as former supreme deities of peaceful, woman-centered religions that were turned into monsters when violent. Their defeat at the hands of a male hero corresponded to the manner in which male-dominated religions overthrew ancient society. This theory is rejected by academia and modern authors such as Lotte Motz, Cynthia Eller and others.
Anu (in Akkadian; Sumerian: An, from An “sky, heaven”) is the earliest attested Sky Father deity. In Sumerian religion, he was also “King of the Gods”, “Lord of the Constellations, Spirits and Demons”, and “Supreme Ruler of the Kingdom of Heaven”, where Anu himself wandered the highest Heavenly Regions. He was believed to have the power to judge those who had committed crimes, and to have created the stars as soldiers to destroy the wicked. His attribute was the Royal Tiara. His attendant and vizier was the god Ilabrat.
The zodiac is the circle of twelve 30° divisions of celestial longitude employed by western astrology and (formerly) astronomy. The western zodiac is centered upon the ecliptic, the apparent path of the Sun across the celestial sphere over the course of the year.
The paths of the Moon and visible planets also remain close to the ecliptic, within the belt of the zodiac, which extends 8-9° north or south of the ecliptic, as measured in celestial latitude. Because the divisions are regular, they do not correspond exactly to the boundaries of the twelve constellations after which they are named.
Historically, these twelve divisions are called signs. Essentially, the zodiac is a celestial coordinate system, or more specifically an ecliptic coordinate system, which takes the ecliptic as the origin of latitude, and the position of the Sun at vernal equinox as the origin of longitude.
The English word zodiac derives from zōdiacus, the Latinized form of the Ancient Greek zōidiakòs kýklos, meaning “circle of little animals”. Zōidion is the diminutive of zōion (“animal”). The name reflects the prominence of animals (and mythological hybrids) among the twelve signs.
The zodiac was in use by the Roman era, based on concepts inherited by Hellenistic astronomy from Babylonian astronomy of the Chaldean period (mid-1st millennium BC), which, in turn, derived from an earlier system of lists of stars along the ecliptic. The construction of the zodiac is described in Ptolemy’s vast 2nd century AD work, the Almagest.
Although the zodiac remains the basis of the ecliptic coordinate system in use in astronomy besides the equatorial one, the term and the names of the twelve signs are today mostly associated with horoscopic astrology.
The term “zodiac” may also refer to the region of the celestial sphere encompassing the paths of the planets corresponding to the band of about eight arc degrees above and below the ecliptic. The zodiac of a given planet is the band that contains the path of that particular body; e.g., the “zodiac of the Moon” is the band of five degrees above and below the ecliptic. By extension, the “zodiac of the comets” may refer to the band encompassing most short-period comets.
The division of the ecliptic into the zodiacal signs originates in Babylonian (“Chaldean”) astronomy during the first half of the 1st millennium BC. The zodiac draws on stars in earlier Babylonian star catalogues, such as the MUL.APIN catalogue, which was compiled around 1000 BC. Some of the constellations can be traced even further back, to Bronze Age (Old Babylonian) sources, including Gemini “The Twins”, from MAŠ.TAB.BA.GAL.GAL “The Great Twins”, and Cancer “The Crab”, from AL.LUL “The Crayfish”, among others.
Around the end of the 5th century BC, Babylonian astronomers divided the ecliptic into twelve equal “signs”, by analogy to twelve schematic months of thirty days each. Each sign contained thirty degrees of celestial longitude, thus creating the first known celestial coordinate system.
Unlike modern astronomers, who place the beginning or the sign of Aries at the place of the Sun at the vernal equinox; Babylonian astronomers fixed the zodiac in relation to stars, placing the beginning of Cancer at the “Rear Twin Star” (β Geminorum) and the beginning of Aquarius at the “Rear Star of the Goat-Fish” (δ Capricorni).
Because the division was made into equal arcs, 30° each, they constituted an ideal system of reference for making predictions about a planet’s longitude. However, Babylonian techniques of observational measurements were in a rudimentary stage of evolution and they measured the position of a planet in reference to a set of “normal stars” close to the ecliptic (±9° of latitude) as observational reference points to help positioning a planet within this ecliptic coordinate system.
In Babylonian astronomical diaries, a planet position was generally given with respect to a zodiacal sign alone, less often in specific degrees within a sign. When the degrees of longitude were given, they were expressed with reference to the 30° of the zodiacal sign, i.e., not with a reference to the continuous 360° ecliptic.
In astronomical ephemerides, the positions of significant astronomical phenomena were computed in sexagesimal fractions of a degree (equivalent to minutes and seconds of arc). For daily ephemerides, the daily positions of a planet were not as important as the astrologically significant dates when the planet crossed from one zodiacal sign to the next.
In Western astrology, astrological signs are the twelve 30° sectors of the ecliptic, starting at the vernal equinox (one of the intersections of the ecliptic with the celestial equator), also known as the First Point of Aries. The order of the astrological signs is Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius and Pisces.
Empedocles, a fifth-century BC Greek philosopher, identified Fire, Earth, Air, and Water as elements. He explained the nature of the universe as an interaction of two opposing principles called love and strife manipulating the four elements, and stated that these four elements were all equal, of the same age, that each rules its own province, and each possesses its own individual character. Different mixtures of these elements produced the different natures of things.
Each sign is associated with one of the classical elements, and these can also be grouped according to polarity: Fire and Air signs are considered positive or extrovert, masculine signs; while Water and Earth signs are considered negative or introvert, feminine signs.
The four astrological elements are also considered as a direct equivalent to Hippocrates’ personality types (sanguine = air; choleric = fire; melancholic = water; phlegmatic = earth). A modern approach looks at elements as “the energy substance of experience” and the next table tries to summarize their description through keywords.
Each of the four elements manifests in three modalities: Cardinal, Fixed and Mutable. As each modality comprehends four signs, these are also known as Quadruplicities. They are occasionally referred to as crosses because each modality forms a cross when drawn across the zodiac. Christian astrology relates the three qualities to the three aspects of God in the trinity.
Before the age of telescopes, the night sky was thought to consist of two very similar components: fixed stars, which remained motionless in relation to each other, and “wandering stars” (Ancient Greek: asteres planetai), which moved relative to the fixed stars over the course of the year.
To the earliest astronomers, this group comprised the five planets visible to the naked eye, and excluded the Earth. Although strictly the term “planet” applied only to those five objects, the term was latterly broadened, particularly in the Middle Ages, to include the Sun and the Moon (sometimes referred to as “Lights”), making a total of seven planets. Astrologers retain this definition today.
The planets represented the will of the gods and their direct influence upon human affairs. To modern astrologers the planets represent basic drives or urges in the unconscious, or energy flow regulators representing dimensions of experience. They express themselves with different qualities in the twelve signs of the zodiac and in the twelve houses. The planets are also related to each other in the form of aspects.
Modern astrologers differ on the source of the planets’ influence. Hone writes that the planets exert it directly through gravitation or another, unknown influence. Others hold that the planets have no direct influence in themselves, but are mirrors of basic organizing principles in the universe.
In other words, the basic patterns of the universe repeat themselves everywhere, in fractal-like fashion, and “as above, so below”. Therefore, the patterns that the planets make in the sky reflect the ebb and flow of basic human impulses. The planets are also associated, especially in the Chinese tradition, with the basic forces of nature.
Rulership is the connection between planet and correlated sign and house. In traditional Western astrology, each sign is ruled by one and only one of the seven visible planets (note that in astrology, the Sun and Moon are termed The Lights, while the other bodies are called planets, which literally means wanderers, i.e. wandering stars as opposed to the fixed stars).
The traditional rulerships are as follows: Aries (Mars), Taurus (Venus), Gemini (Mercury), Cancer (Moon), Leo (Sun), Virgo (Mercury), Libra (Venus), Scorpio (Mars), Sagittarius (Jupiter), Capricorn (Saturn), Aquarius (Uranus), Pisces (Neptune).
A traditional belief of astrology, known as essential dignity, is the idea that the Sun, Moon and planets are more powerful and effective in some signs than others, because the basic nature of both is held to be in harmony. By contrast, they are held to find some signs to be weak or difficult to operate in because their natures are thought to be in conflict. The most important of these categories are Dignity, Detriment, Exaltation and Fall.
The planets in Hindu astrology are known as the Navagraha or “nine realms”. In Chinese astrology, the planets are associated with the life forces of yin and yang and the five elements, which play an important role in the Chinese form of geomancy known as Feng Shui. Astrologers differ on the signs associated with each planet’s exaltation.
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