The Trimurti of the three Hindu Gods: Brahmā, Vishnu, and Shiva

The Trimurti of the three Hindu Gods: Brahmā, Vishnu, and Shiva (left to right) at Ellora Caves, an archaeological site, 29 km (18 mi) North-West of the city of Aurangabad in the Indian state of Maharashtra built by the Rashtrakuta dynasty (753–982).

The Trimūrti (English: ‘three forms’; Sanskrit: त्रिमूर्तिः trimūrti), Tri Murati or Trimurati, is a concept in Hinduism “in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahma the creator, Vishnu the maintainer or preserver and Shiva the destroyer or transformer.” These three gods have been called “the Hindu triad” or the “Great Trinity”, often addressed as “Brahma-Vishnu-Maheshwara”, all having the same meaning of three in One. They are the different forms or manifestation of one person, the Supreme Being, or Narayana/Svayam Bhagavan.

Brahmā

Brahmā (Sanskrit: ब्रह्मा; IAST: Brahmā) is the Hindu god (deva) of creation and one of the Trimūrti, the others being Vishnu and Shiva. According to the Brahmā Purāņa, he is the father of Manu, and from Manu all human beings are descended.

In the Rāmāyaņa and the Mahābhārata, he is often referred to as the progenitor or great grandsire of all human beings. He is not to be confused with the Supreme Cosmic Spirit in Hindu Vedānta philosophy known as Brahman, which is genderless.

Brahmā’s wife is Saraswati, also known by names such as Sāvitri and Gāyatri. She has taken different forms throughout history. Brahmā is often identified with Prajāpati, a Vedic deity. Being the husband of Saraswati or Vaac Devi (the Goddess of Speech), Brahma is also known as “Vaagish,” meaning “Lord of Speech and Sound.”

Vishnu

Vishnu (Viṣṇu) is the Supreme God of Vaishnavism, one of the three main sects of Hinduism. Vishnu is also known as Narayana and Hari. Lakshmi is the wife of Vishnu.

The Vishnu Sahasranama declares Vishnu as Paramatman (supreme soul) and Parameshwara (supreme God). It describes Vishnu as the all-pervading essence of all beings, the master of—and beyond—the past, present and future, the creator and destroyer of all existences, one who supports, preserves, sustains and governs the universe and originates and develops all elements within.

Though he is usually depicted as light blue, as are his incarnations some other depictions of Vishnu exist as green-bodied, and in the Kurma Purana he is described as colorless and with red eyes. In Hindu sacred texts, Vishnu is usually described as having the divine pale blue color of water-filled clouds and as having four arms. He is depicted as holding a padma (lotus flower) in the lower left hand, a unique type of mace used in warfare known as a Kaumodaki gada in the lower right hand, a Panchajanya shankha (conch) in the upper left hand and a discus weapon Sudarshana Chakra in the upper right hand.

Vishnu is also described in the Bhagavad Gita as having a ‘Universal Form’ (Vishvaroopa or Viraata Purusha) Vishvarupa which is beyond the ordinary limits of human perception or imagination. It is said that he owns five weapons (pancha ayudham): Sudarshanam, Panchajanyam, Komodaki, Nandakam, and Sharangam.

Adherents of Hinduism believe Vishnu’s eternal and supreme abode beyond the material universe is called Vaikuntha, which is also known as Paramdhama, the realm of eternal bliss and happiness and the final or highest place for liberated souls who have attained Moksha.

Vaikuntha is situated beyond the material universe and hence, cannot be perceived or measured by material science or logic. Vishnu’s other abode within the material universe is Ksheera Sagara (the ocean of milk), where he reclines and rests on Ananta Shesha, (the king of the serpent deities, commonly shown with a thousand heads).

In almost all Hindu denominations, Vishnu is either worshipped directly or in the form of his ten avatars, the most famous of whom are Rama and Krishna. The Puranabharati, an ancient text, describes these as the dashavatara, or the ten avatars of Vishnu. Among the ten described, nine have occurred in the past and one will take place in the future as Lord Kalki, at the end of Kali Yuga, (the fourth and final stage in the cycle of yugas that the world goes through).

These incarnations take place in all Yugas in cosmic scales; the avatars and their stories show that gods are indeed unimaginable, unthinkable and inconceivable. The Bhagavad Gita mentions their purpose as being to rejuvenate Dharma, to vanquish those negative forces of evil that threaten dharma, and also to display His divine nature in front of all souls.

Vishnu is also venerated as Mukunda, which means God who is the giver of mukti or moksha (liberation from the cycle of rebirths) to his devotees or the worthy ones who deserve salvation from the material world.

Shiva

Shiva meaning “The Auspicious One”, also known as Mahadeva (“Great God”), is a popular Hindu deity. Shiva is regarded as one of the primary forms of God. He is the Supreme God within Shaivism, one of the three most influential denominations in contemporary Hinduism. He is one of the five primary forms of God in the Smarta tradition, and “the Destroyer” or “the Transformer” among the Trimurti, the Hindu Trinity of the primary aspects of the divine.

Shiva has many benevolent and fearsome forms. At the highest level Shiva is limitless, transcendent, unchanging and formless. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash, as well as a householder with wife Parvati and his two children, Ganesha and Kartikeya and in fierce aspects, he is often depicted slaying demons. Shiva is also regarded as the patron god of yoga and arts.

The main iconographical attributes of Shiva are the third eye on his forehead, the snake Vasuki around his neck, the crescent moon adorning, the holy river Ganga flowing from his matted hair, the trishula as his weapon and the damaru as his instrument.

Trimūrti

The Puranic period saw the rise of post-Vedic religion and the evolution of what R. C. Majumdar calls “synthetic Hinduism.” This period had no homogeneity, and included orthodox Brahmanism in the form of remnants of older Vedic faith traditions, along with different sectarian religions, notably Shaivism, Vaishnavism, and Shaktismthat were within the orthodox fold yet still formed distinct entities. One of the important traits of this period is a spirit of harmony between orthodox and sectarian forms.

Regarding this spirit of reconciliation, R. C. Majumdar says that: It’s most notable expression is to be found in the theological conception of the Trimūrti, i.e., the manifestation of the supreme God in three forms of Brahmā, Viṣṇu, and Śiva… But the attempt cannot be regarded as a great success, for Brahmā never gained an ascendancy comparable to that of Śiva or Viṣṇu, and the different sects often conceived the Trimūrti as really the three manifestations of their own sectarian god, whom they regarded as Brahman or Absolute.

Maurice Winternitz notes that there are very few places in Indian literature where the Trimurti is mentioned. The identification of Vishnu, Shiva, and Brahma as one being is strongly emphasized in the Kūrma Purāṇa, where in 1.6 Brahman is worshipped as Trimurti; 1.9 especially inculcates the unity of the three gods, and 1.26 relates to the same theme.

Historian A. L. Basham explains the background of the Trimurti as follows, noting Western interest in the idea of trinity: Early western students of Hinduism were impressed by the parallel between the Hindu trinity and that of Christianity. In fact the parallel is not very close, and the Hindu trinity, unlike the Holy Trinity of Christianity, never really “caught on”. All Hindu trinitarianism tended to favor one god of the three; thus, from the context it is clear that Kālidāsa’s hymn to the Trimūrti is really addressed to Brahmā, here looked on as the high god. The Trimūrti was in fact an artificial growth, and had little real influence.

Freda Matchett characterizes the Trimurti system as one of “several frameworks into which various divine figures can be fitted at different levels.” The concept of Trimurti is also present in the Maitri Upanishad, where the three gods are explained as three of his supreme forms.

Sauram

The Saura sect that worships Surya as the supreme person of godhead and saguna brahman doesn’t accept the Trimurti as they believe Surya is God. Earlier forms of the Trimurti sometimes included Surya instead of Brahma, or as a fourth above the Trimurti, of whom the other three are manifestations; Surya is Brahma in the morning, Vishnu in the afternoon and Shiva in the evening. Surya was also a member of the original Vedic Trimurti, which included Agni and Vayu. Some Sauras worship either Vishnu or Shiva as manifestations of Surya, others worship the Trimurti as a manifestation of Surya, and others exclusively worship Surya alone.

Vaishnavism

Vaishnavism generally does not accept the Trimurti concept. For example, the Dvaita school holds Vishnu alone to be the supreme God, with Shiva subordinate, and interprets the Puranas differently. For example, Vijayindra Tîrtha, a Dvaita scholar interprets the 18 puranas differently. He interprets the Vaishnavite puranas as satvic and Shaivite puranas as tamasic and that only satvic puranas are considered to be authoritative.

Unlike most other Vaishnavite schools such as those of Ramanuja, Madhva and Chaitanya, Swaminarayan, guru of the Hindu Swaminarayan sects (including BAPS), did not differentiate between Vishnu and Shiva; Swaminarayan notably differs from practically all Vaishnavite schools in holding that Vishnu and Shiva are different aspects of the same God. (see also verses 47 and 84 of Shikshapatri, a key scripture to all followers of the Swaminarayan faith.)

Moreover, Swaminarayan followed a Smarta approach (see more detail on the Smarta view below) by instructing his followers to venerate all five deities of the Panchayatana puja with equal reverence.

Shaivism

Shaivites hold that, according to Shaiva Agama, Lord Shiva performs five actions – creation, preservation, dissolution, concealing grace, and revealing grace. Respectively, these first three actions are associated with Shiva as Sadyojata (akin to Brahma), Vamadeva (akin to Vishnu) and Aghora (akin to Rudra). Thus, Brahma, Vishnu and Rudra are not deities different from Shiva, but rather are forms of Shiva. As Brahma/Sadyojata, Shiva creates. As Vishnu/Vamadeva, Shiva preserves. As Rudra/Aghora, he dissolves. This stands in contrast to the idea that Shiva is the “God of destruction.”

To Shaivites, Shiva is God and performs all actions, of which destruction is only but one. Ergo, the Trimurti is a form of Shiva Himself for Shaivas. Shaivites believe that Lord Shiva is the Supreme, who assumes various critical roles and assumes appropriate names and forms, and also stands transcending all these.

Smartism

Smartism is a denomination of Hinduism that places emphasis on a group of five deities rather than just a single deity. The “worship of the five forms” (pañcāyatana pūjā) system, which was popularized by the ninth-century philosopher Śankarācārya among orthodox Brahmins of the Smārta tradition, invokes the five deities Ganesha, Vishnu, Shiva, Devī and Sūrya.

Śankarācārya later added Kumara (Muruga/Subrahmanya/Karttikeya) to these five, making six total. This reformed system was promoted by Śankarācārya primarily to unite the principal deities of the six major sects on an equal status. The monistic philosophy preached by Śankarācārya made it possible to choose one of these as a preferred principal deity and at the same time worship the other four deities as different forms of the same all-pervading Brahman.

Harihara

Harihara (Sanskrit: हरिहर) is the name of a combined deity form of both Vishnu (Hari) and Shiva (Hara) from the Hindu tradition. Also known as Shankaranarayana (“Shankara” is Shiva, and “Narayana” is Vishnu), Harihara is thus worshipped by both Vaishnavites and Shaivities as a form of the Supreme God, as well as being a figure of worship for other Hindu traditions in general.

Harihara is also sometimes used as a philosophical term to denote the unity of Vishnu and Shiva as different aspects of the same Supreme God. The exact nature of both Vishnu and Shiva (from their associated stories in Vedic and Puranic scriptures), and their position of difference or unity (or both), is a subject of some debate amongst the different philosophical schools.

Tridevi

The Tridevi (English: three goddesses; Sanskrit: त्रिदेवी tridevī) is a concept in Hinduism conjoining the three consorts of the Trimurti (Great Trinity), that are personified by the forms of Hindu Goddesses: Saraswati, Lakshmi and Parvati/ Durga. They are the manifestations of the Adi Parashakti, i.e. (Divine Mother).

• Saraswati the goddess of learning and arts, cultural fulfillment (consort of Brahmā the creator). She is the cosmic intelligence, cosmic consciousness, cosmic knowledge.
• Lakshmi the goddess of wealth and fertility, material fulfillment (consort of Vishnu the maintainer or preserver). However, she does not mean mere material wealth like gold, cattle, etc. All kinds of prosperity, glory, magnificence, joy, exaltation, or greatness come under Lakshmi.
• Parvati/ Mahakali (or in her demon-fighting aspect Durga) the goddess of power and love, spiritual fulfillment (consort of Śhiva the destroyer or transformer). She also depicts transformative power of Divinity, the power that dissolves multiplicity in unity.

In the Navratri (“nine nights”) festival, “the Goddess is worshipped in three forms. During the first three nights, Durga or Parvati is revered, then Lakshmi on the fourth, fifth and sixth nights, and finally Sarasvati until the ninth night.”