The Halaf culture, is a prehistoric period which lasted between about 6100 and 5500 BCE. The period is a continuous development out of the earlier Pottery Neolithic and is located primarily in south-eastern Turkey, Syria, and northern Iraq, although Halaf-influenced material is found throughout Greater Mesopotamia.
The term «Proto-Halaf period» refers to the gradual emergence of the Halaf culture. It reformulates the «Halafcultural package» as this has been traditionally understood, and it shows that the Halaf emerged rapidly, but gradually, at the end oftheseventh millennium cal BC. The term refers to a distinct ceramic assemblage characterised by the introduction of painted Fine Ware within the later Pre-Halafceramic assemblage. Although these new wares represent changes in ceramic technology and production, other cultural aspects continue without abrupt change.
The recent discoveries at various Late Neolithic sites in Syrian and elsewhere that have been reviews here are really changing the old, traditional schemes, which often presupposed abrupt transitions from one culture-historical entity to another. At present, there is growing evidence for considerable continuity during the seventh and sixth millennium BC.
At the northern Syrian sites, where theProto-Halaf stage was first defined,there is no perceptible break and at several sites (Tell Sabi Abyad, Tell Halula) the Proto-Halafceramic assemblage appears tobe closely linked to the preceding late Pre-Halaf. The key evidence for the Proto-Halaf period is the appearance of new ceramic categories that did not existed before, manufactured according to high technological standards and complexly decorated.
The similarities ofthese new painted wares from one Proto-Halafsiteto another points to strong relationships between different communities. On the other hand, the evidence oflocal variety in ceramic production would indicate acertain level of independence of local groups.
Although this new stage deservesto be studied much more, it appears to be the case that apart from the ceramicsmost other aspects of the material culture show a gradual, not abrupt evolution from the precedent stage, such as the production of lithic tools, property markers such as stamp seals, the architecture and burial practices.
The discovery of Proto-Halaf layers at Tell Halula, Tell Sabi Abyad and Tell Chagar Bazar has added much insight into the origins of the Halaf and its initial development, and shows that the Halaf resulted from a gradual, continuous process of cultural change. It also seems to be clear that the origins of the Halaf were regionally heterogeneous.
The Halaf culture as it is traditionally understood appears to have evolved over a very large area, which comprises the Euphrates valley (until recently considered to be a peripheral area), the Balikh valley and the Khabur in Syria but also northern Iraq, southern Turkey and the Upper Tigris area.
In the period 6500–5500 B.C., a farming society emerged in northern Mesopotamia and Syria which shared a common culture and produced pottery that is among the finest ever made in the Near East. This culture is known as Halaf, after the site of Tell Halaf in northeastern Syria where it was first identified.
The Halaf potters used different sources of clay from their neighbors and achieved outstanding elaboration and elegance of design with their superior quality ware. Some of the most beautifully painted polychrome ceramics were produced toward the end of the Halaf period. This distinctive pottery has been found from southeastern Turkey to Iran, but may have its origins in the region of the River Khabur (modern Syria).
How and why it spread so widely is a matter of continuing debate, although analysis of the clay indicates the existence of production centers and regional copying. It is possible that such high-quality pottery was exchanged as a prestige item between local elites. The Halaf culture also produced a great variety of amulets and stamp seals of geometric design, as well as a range of largely female terracotta figurines that often emphasize the sexual features.
Among the best-known Halaf sites are Arpachiyah, Sabi Abyad, and Yarim Tepe, small agricultural villages with distinctive buildings known as tholoi. These rounded domed structures, with or without antechambers, were made of different materials depending on what was available locally: limestone boulders or mud and straw.
The most important site for the Halaf tradition was the site of Tell Arpachiyah located about 4 miles from Nineveh, now located in the suburbs of Mosul, Iraq. The site was occupied in the Halaf and Ubaid periods. It appears to have been heavily involved in the manufacture of pottery. The pottery recovered there formed the basis of the internal chronology of the Halaf period. The Halaf culture was eventually absorbed into the so-called Ubaid culture, with changes in pottery and building styles.
Early in the chalcolithic period the potters of Arpachiyah in the Khabur Valley carried on the Tell Halaf tradition with a technical ability and with a sense of artistry far superior to that attained by the earlier masters; their polychrome designs, executed in rous paint, show a richness of invention and a painstaking skill in draughtsmanship which is unrivaled in the ancient world.
The best known, most characteristic pottery of Tell Halaf, called Halaf ware, produced by specialist potters, has been found in other parts of northern Mesopotamia, such as at Nineveh and Tepe Gawra, Chagar Bazar and at many sites in Anatolia (Turkey) suggesting that it was widely used in the region.
Arpachiyah and Tepe Gawra have produced typical Eastern Halaf ware while a rather different Western Halaf version is known from such Syrian sites as Carchemish and Halaf itself.
Hassuna or Tell Hassuna is an ancient Mesopotamian site situated in what was to become ancient Assyria, and is now in the Ninawa Governorate of Iraq west of the Tigris river, south of Mosul and about 35 km southwest of the ancient Assyrian city of Nineveh.
By around 6000 BC people had moved into the foothills (piedmont) of northernmost Mesopotamia where there was enough rainfall to allow for “dry” agriculture in some places. These were the first farmers in northernmost Mesopotamia. They made Hassuna style pottery (cream slip with reddish paint in linear designs). Hassuna people lived in small villages or hamlets ranging from 2 to 8 acres (32,000 m2).
At Tell Hassuna, adobe dwellings built around open central courts with fine painted pottery replace earlier levels with crude pottery. Hand axes, sickles, grinding stones, bins, baking ovens and numerous bones of domesticated animals reflect settled agricultural life. Female figurines have been related to worship and jar burials within which food was placed related to belief in afterlife. The relationship of Hassuna pottery to that of Jericho suggests that village culture was becoming widespread.
Shulaveri-Shomu culture is a Late Neolithic/Eneolithic culture that existed on the territory of present-day Georgia, Azerbaijan and the Armenian Highlands. The culture is dated to mid-6th or early-5th millennia BC and is thought to be one of the earliest known Neolithic cultures. The Shulaveri-Shomu culture begins after the 8.2 kiloyear event which was a sudden decrease in global temperatures starting ca. 6200 BC and which lasted for about two to four centuries.
Shulaveri culture predates the Kura-Araxes culture and surrounding areas, which is assigned to the period of ca. 4000 – 2200 BC, and had close relation with the middle Bronze Age culture called Trialeti culture (ca. 3000 – 1500 BC).[3] Sioni culture of Eastern Georgia possibly represents a transition from the Shulaveri to the Kura-Arax cultural complex.
In around ca. 6000–4200 B.C the Shulaveri-Shomu and other Neolithic/Chalcolithic cultures of the Southern Caucasus use local obsidian for tools, raise animals such as cattle and pigs, and grow crops, including grapes. Many of the characteristic traits of the Shulaverian material culture (circular mudbrick architecture, pottery decorated by plastic design, anthropomorphic female figurines, obsidian industry with an emphasis on production of long prismatic blades) are believed to have their origin in the Near Eastern Neolithic (Hassuna, Halaf).
The Halaf period was succeeded by the Halaf-Ubaid Transitional period (~5500 – 5200 cal. BCE) and then by the Ubaid period (~5200 – 4000 cal. BCE). The Halaf-Ubaid Transitional period (ca. 5500/5400 to 5200/5000 BC) is a prehistoric period of Mesopotamia. It lies chronologically between the Halaf period and the Ubaid period. It is a very poorly understood period and was created to explain the gradual change from Halaf style pottery to Ubaid style pottery in North Mesopotamia.
ArchaeologyArchaeologically the period is defined more by absence then data as the Halaf appears to have ended before 5500/5400 cal. BC and the Ubaid begins after 5200 cal. BC. There are only two sites that run from the Halaf until the Ubaid. The first of these, Tepe Gawra, was excavated in the 1930s when stratigraphic controls were lacking and it is difficult to re-create the sequence. The second, Tell Aqab remains largely unpublished.
This makes definitive statements about the period difficult and with the present state of archaeological knowledge nothing certain can be claimed about the Halaf-Ubaid transitional except that it is a couple of hundred years long and pottery styles changed over the period.
The Ubaid period (ca. 6500 to 3800 BC) is a prehistoric period of Mesopotamia. The name derives from the tell (mound) of al-`Ubaid west of nearby Ur in southern Iraq’s Dhi Qar Governorate where the earliest large excavation of Ubaid period material was conducted initially by Henry Hall and later by Leonard Woolley.
In South Mesopotamia the period is the earliest known period on the alluvium although it is likely earlier periods exist obscured under the alluvium. In the south it has a very long duration between about 6500 and 3800 BC when it is replaced by the Uruk period.
In North Mesopotamia the period runs only between about 5300 and 4300 BC. It is preceded by the Halaf period and the Halaf-Ubaid Transitional period and succeeded by the Late Chalcolithic period.
The Ubaid period is marked by a distinctive style of fine quality painted pottery which spread throughoutMesopotamia and the Persian Gulf. During this time, the first settlement in southern Mesopotamia was established at Eridu (Cuneiform: NUN.KI), ca. 5300 BC, by farmers who brought with them the Hadji Muhammed culture, which first pioneered irrigation agriculture. It appears this culture was derived from the Samarran culture from northern Mesopotamia.
Hadji Muhammed was a small village in Southern Iraq which gives its name to a style of painted pottery and the early phase of what is the Ubaid culture. The pottery is painted in dark brown, black or purple in an attractive geometric style. Sandwiched between the earliest settlement of Eridu and the later “classical” Ubaid style, the culture is found as far north as Ras Al-Amiya. The Hadji Muhammed period saw the development of extensive canal networks from major settlements.
Irrigation agriculture, which seem to have developed first at Choga Mami (4700–4600 BC), a Samarra ware archaeological site of Southern Iraq in the Mandali region which shows the first canal irrigation in operation at about 6000 BCE, and rapidly spread elsewhere, from the first required collective effort and centralised coordination of labour. Buildings were of wattle and daub or mud brick.
Joan Oates has suggested on the basis of continuity in configurations of certain vessels, despite differences in thickness of others that it is just a difference in style, rather than a new cultural tradition.
It is not known whether or not these were the actual Sumerians who are identified with the later Uruk culture. Eridu remained an important religious center when it was gradually surpassed in size by the nearby city of Uruk. The story of the passing of the me (gifts of civilisation) to Inanna, goddess of Uruk and of love and war, by Enki, god of wisdom and chief god of Eridu, may reflect this shift in hegemony.
It appears that this early culture was an amalgam of three distinct cultural influences: peasant farmers, living in wattle and daub or clay brick houses and practicing irrigation agriculture; hunter-fishermen living in woven reed houses and living on floating islands in the marshes (Proto-Sumerians); and Proto-Akkadian nomadic pastoralists, living in black tents.
Sumer (from Akkadian Šumeru; Sumerian ki-en-ĝir, approximately “land of the civilized kings” or “native land”) was an ancient civilization and historical region in southern Mesopotamia, modern Iraq, during the Chalcolithic and Early Bronze Age.
Although the earliest historical records in the region do not go back much further than ca. 2900 BC, modern historians have asserted that Sumer was first settled between ca. 4500 and 4000 BC by a non-Semitic people who may or may not have spoken the Sumerian language (pointing to the names of cities, rivers, basic occupations, etc. as evidence).
These conjectured, prehistoric people are now called Ubaidians, and are theorized to have evolved from the Chalcolithic Samarra culture (ca 5500–4800 BC) of northern Mesopotamia (Assyria) identified at the rich site of Tell Sawwan, where evidence of irrigation—including flax—establishes the presence of a prosperous settled culture with a highly organized social structure.
The Ubaidians were the first civilizing force in Sumer, draining the marshes for agriculture, developing trade, and establishing industries, including weaving, leatherwork, metalwork, masonry, and pottery. Sumerian civilization took form in the Uruk period (4th millennium BC), continuing into the Jemdat Nasr and Early Dynastic periods.
The Samarran Culture is primarily known for its finely-made pottery decorated against dark-fired backgrounds with stylized figures of animals and birds and geometric designs. This widely-exported type of pottery, one of the first widespread, relatively uniform pottery styles in the Ancient Near East, was first recognized at Samarra. The Samarran Culture was the precursor to the Mesopotamian culture of the Ubaid period.
The ancient Halaf culture which existed just before and during the Ubaid period at around the same time had Swastikas on their pottery and other items. These people eventually gave rise to the ancient Sumerians, who also used the Swastika symbol. The ancient Vinca culture (5500 BC) was the first appearance of the swastika in history, not what you’re reading above. The Tartaria culture of Romainia (4000 BC) had similar symbols.
Then later the Merhgarh Culture, which later became the Harappan culture of the Great Indus Valley Civilization (which is where “The Vedas” came from) also exhibited the Swastika symbolism. Then even later the legendary Xia Dynasty held the swastika symbol in high regard. Even ancient Native American Indians knew this symbol. If you’ve noticed all these cultures were exactly 1000 years apart, bringing the Swastika symbol west to east from the Balkans to China and even beyond. Look it up, do the research.
Figuring out Identity: The Body and Identity in the ‘Ubaid
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